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La merda che fuma

from Souvenir of Italy by GustoForte

  • Cassette + Digital Album

    White cassettes (C50), white cases, pro-printed j-card. Only 50 copies available!

    Includes unlimited streaming of Souvenir of Italy via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
    ships out within 7 days
    Purchasable with gift card

      €9 EUR

     

  • Picture disc 12" Limited to hand numbered 150 copies. No repress.
    Record/Vinyl + Digital Album

    Comes in a transparent plastic sleeve with a sticker containing credits

    Includes unlimited streaming of Souvenir of Italy via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.

    Sold Out

  • Buy the Full Digital Album

about

The second track “La merda che fuma” belongs to a live registration made in the 1985 at the Beat ’72 Theatre in Rome, one of the places of old roman vanguard. The composition was made on a writing of Osvaldo Licini “La merda che fuma” ; Licini is one of the best modern Italian artist, painter, poet and immense agitator of Italian art.

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Il secondo brano “La merda che fuma” appartiene ad una registrazione dal vivo effettuata nel 1985 al teatro Beat’72 di Roma, uno dei luoghi della vecchia avanguardia romana. La composizione è costruita attorno ad uno scritto di Osvaldo Licini, “La merda che fuma” per l'appunto; Licini è stato uno tra i massimi artisti moderni italiani, pittore, poeta e immenso agitatore dell’arte italiana

credits

from Souvenir of Italy, released March 11, 2012
La merda che fuma: Live at Beat'72, Rome, 1985
Engineering: Carlo Sistilli
Digitaly Remastered at Tweedle Studios, Attigliano-Italy, 2011
Engineering: Filippo Bussi

Roberto Giannotti: percussion, drums, electronics, noises, voice, tapes, turntables, inanimate objects, mangiadischi

Francesco Verdinneli: guitars, percussion, electronic, noise, analog keyboards, synthesizers, turntables

Stefano Galderisi: bass, double bass, electric noise, analog keyboards, tapes

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GustoForte Roma, Italy

GustoForte born in Rome in the 1984, develop its sonorous magma and then blend into the continuous beat of the peripheral roman nights. The dub, without echo, beats an ended time. The gloomy sound and silently shouting of the roman tradition dirty oneself with ground noises. Indistinct. Perennial. ... more

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